The above image was my first venture into the small music world of Portland, Oregon. It was put together on a hand-me-down desktop computer more than a decade ago. I had just discovered I had a little penchant for songwriting as some lines I wrote in my poetry notebook never dried their ink to the page. When I picked up a guitar and began to teach myself tracks by Neil Young and Cat Power (and my biggest influence, L. Cohen) a new route of expression was discovered in that hazy green underbrush of youth. My words had found their place in verses, not in verse.
Besides the big names, I was also influenced by a group of young, local musicians that had come to Portland from their hometown of Salem. The lead singer-songwriter and I shared a class at Portland State University and I soon had him and another member of the band working beside me at the restaurant which I had picked up a bussing job at in a Northwest neighborhood. I soon learned that these talented players had a band and had just finished up their first self-released album under the name Typhoon. Their label was called Boy Gorilla Records. Soon, I was helping them load and unload gear, printing album covers and even recording my own split EP on the label with one Elec E. Morin. A few tracks of mine survive on a little visited Bandcamp site, but I’m proud of the work I got to share and experience with my friends.
I’ve given this blog the honorary http of “dawnzerlylight” as a smile and wink to that swiftly changing image of my Portland home for a good ten years of life – longest I ever stayed put in one place. But not many places, well, not many cities, remain as they were for the young who needed their streets, their cafes, their all-ages venues and their cheap homes for a cool basement to practice in beneath the hot summer streets. While playing scant shows in town I was privy to see the rise of friends to local and national acclaim, all beginning with a little label from the sons and daughters of Salem. See also Wild Ones, Genders, and Sons of Huns. There’s still quite a scene in Portland, I’m certain of it. Here’s to DIY movements, getting involved, and creating your own voice from the audience to the stage.